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LA Audio Pro Audio Products     *20% OFF ALL LISTED RRP PRICES BELOW*
 
Designed for sound reinforcement, fixed install and studio applications, the UK-manufactured LA Audio range brings fresh thinking to every application, adding functionality, reducing complexity and optimising sound quality throughout.

In fact, Hampshire-based LA Audio describe themselves as '...committed to providing simple, elegant and robust solutions for almost every audio scenario'.

LA Audio’s product range will be the ideal complement to the extensive HK Audio range of pro audio sound reinforcement systems that JHS has distributed for the past eight years.

The LA Audio line up of ‘clever little boxes’ borne out of extensive digital research by the company includes highly developed graphic equalisers, high performance active mic splitters, dynamic processors, mixers/distribution amplifiers, mic channel digiboxes, compressors/limiters, stable clock signal generators – plus, of course, the recently-developed, innovative ‘CAN-D’ stereo headphone line level delay unit.


LA AUDIO PRO AUDIO EQUIPMENT
 

Equalisers/Mic Channels
Microphone Splitters
Dynamics Processors
Mixers/Distribution
Accessories
Digiboxes
DSP Management Systems
LA AUDIO EQUALISERS / MIC CHANNELS

 

LA Audio 31 Band Graphic Equaliser
EQ231G 31 BAND GRAPHIC EQUALISER £599.00
GTX BALANCING TRANSFORMER FOR EQ231G & EQ231GSP £100.00
The EQ231G is a dual 31 band 1/3 Octave Graphic Equaliser in a robust 3U high case. The band pass filters are based around precision minimum phase active RC networks to deliver superior dynamic range and signal to noise performance. Long throw faders provide maximum sensitivity and control of 12dB cut and boost at 31 ISO centre frequencies from 20Hz to 20KHz.

The new and improved EQ231G now incorporates a 24dB/octave, Butterworth type, High Pass Filter variable from 16 to 160Hz with bypass. All switches have LED indicators. The EQ231G has electronically balanced inputs and outputs on XLR. An optional Transformer Output module is available, featuring Active Distortion Cancellation circuitry that reduces to negligible levels the LF distortion inherent in Passive Transformer designs. Power relays ensure silent power on/off and also automatic bypassing of the unit when switched off. The EQ231G is built in accordance with Electro-Magnetic Compatibility (EMC) and Low Voltage Directive (LVD) regulations encompassed within the European 'CE' mark. This guarantees problem free integration into audio systems.

Main Features

• Low noise, minimum phase active RC networks
• Long throw faders for maximum control
• Relay based 'soft' power up and automatic power fail bypassing
• Input level control with Peak LED
• Channel bypass switches with LED
• Electronically balanced inputs and outputs with Transformer output option
• Unique Transformer Distortion Cancellation circuitry
• Inductor option for improved noise and phase response on high frequencies


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Graphic Equaliser with Dynamic Processor
EQ231GSP GRAPHIC EQUALISER WITH DYNAMIC PROCESSOR £699.00
GTX BALANCING TRANSFORMER FOR EQ231G & EQ231GSP £100.00
The EQ231-GSP is a highly versatile combination of dual 31 band 1/3 Octave Graphic Equaliser, LF and HF variable frequency Shelving Equaliser, variable High and Low Pass filters and Limiter-Noise Gate.

The band pass filters are based around precision minimum phase active RC networks to deliver superior dynamic range and signal to noise performance. An optional Inductor board may be specified for the top eight frequencies (4kHz-20kHz) to further improve noise and phase linearity. Long throw faders provide maximum sensitivity and control of 12dB cut and boost at 31 ISO centre frequencies covering the entire audio spectrum (20Hz to 20kHz).

The Shelving Equaliser section offers continuous adjustment of boost/cut and corner frequency. This allows an engineer to tailor the sound without altering the graphics settings. The High and Low Pass filters use 4th order bi- quadratic topology to offer 24dB/octave slope and superior stability. The Dynamics section uses a fast RMS detector with soft-knee characteristics. The Limiter features a Threshold control and 3-segment gain reduction display. The Noise Gate features a Threshold Control and Gate Closed indicator.

The EQ231-GSP has electronically balanced inputs and outputs on XLR, with front panel phase reverse switches on the outputs. An optional Transformer Output module is available, featuring Active Distortion Cancellation circuitry that reduces to negligible levels the LF distortion inherent in Passive Transformer designs. Power relays ensure silent power on/off and also automatic bypassing of the unit when switched off. All switches are indicated with status LED's. Each channel incorporates an input level control with clip LED and may be individually bypassed.

The EQ231-GSP is built in accordance with Electro-Magnetic Compatibility (EMC) regulations encompassed within the European ''CE' mark. This guarantees problem free integration into audio systems.

Main Features
• Dual 31 band 1/3 octave Graphic Equaliser
• LF and HF Variable Frequency Shelving Equaliser
• Variable Low and High Pass filters
• Gate and Limiter Dynamics section
• Relay based 'soft' power up and automatic power off bypass
• Input level control with Peak LED
• Channel bypass switches with LED
• Output Transformer option with unique Active Distortion Cancellation circuitry
• Inductor option for improved noise and phase response on high frequencies


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Mic Channel
MPX10 MIC CHANNEL £349.00
The MPX10 provides, in a single channel unit, all the necessary signal processors for one step recording or PA applications. The MPX10 combines a Mic/Line preamplifier with DI input, Noise Reduction, Auto Compressor and Equaliser in a 1U unit with integral power supply. The input section is designed around an ultra low noise mic pre-amp of exceptional clarity with switching for Line or DI input selection, +48V Phantom Power, Phase Reverse and 75Hz High Pass Filter. The Noise Reduction is implemented by way of a simple downwards Expander with variable Threshold. The Compressor section includes variable Threshold and Ratio with 4-mode Auto-Sensing Attack and Release, which automatically tailors the Attack/Release settings to suit the signal. An integral De-Esser switch is incorporated to make the Compressor more sensitive to sibilant frequencies. The EQ section features two fully variable parametric mid frequencies with variable bandwidth (Q) and fixed HF and LF cut/boost. Finally the meter section provides an output Gain control and output level and Gain Reduction metering.

Main Features
• Wide ranging input control with Mic/Line switch and 75Hz High Pass Filter
• Expander type noise reduction
• De-Ess function switch inserts sibilant frequency filter in the compressor sidechain
• High frequency Shelving EQ with low pass filter
• +48volt switch for phantom powered microphones and Phase Reverse switch for phase correction
• Single channel processor for vocals and solo instruments where a superior signal path is demanded for direct to PA, tape or disk recording
• Low frequency Shelving EQ Powerful compressor with variable Threshold and Ratio and 4 auto Attack/Release modes
• 82 band fully parametric EQ with 1/12th - 3 octave variable Q on each band
• O/P Gain make-up with Output and Gain Reduction metering

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LA AUDIO MICROPHONE SPLITTERS


 

Active Mic Splitter
MS424 4x4 ACTIVE MIC SPLITTER £699.00
The MS424 is a 4 channel 1 into 4 Unity Gain Active Microphone Splitter in a compact 1U self powered case. The MS424 is designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with most passive splitting solutions. The Unity Gain design philosophy allows simple integration into existing systems without the need for lengthy recalibration.

Each of the MS424 channels has an electronically balanced input, which may be transformer balanced as an option, and four independently transformer buffered floating outputs on XLR connectors. Output one of each channel may be linked directly to the input via a rear panel switch. The unit may also be configured, by way of internal links, to feed 8, 12 or 16 outputs from any one input, allowing the MS424 to be used for press box applications.

The front panel of the MS424 gives access to outputs 3 and 4 as well as phantom power switching with phantom presence LED, and Pad switching for line level signals. The inputs and outputs 1&2 are grouped on the rear panel together with the output 1 Link switches.

The MS424's internal power supply makes it ideally suited to smaller installations where it becomes highly cost effective when compared to externally powered alternatives.

Main Features
• 4 Channel Active Mic Splitter
• Unity Gain signal path
• Low output impedance
• Line level capability with input Pad
• Individual Phantom Power switching
• Phantom presence indicator
• Very low noise & distortion
• Compact integrally powered design
• 4 sets of independently buffered, balanced outputs as standard
• Input balancing transformer option
• Internal linking for multiple feeds from a single input
• Switchable Link output


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Active Mic Splitter
MS424 4x4 ACTIVE MIC SPLITTER £699.00
MS424X MS424 WITH TRANSFORMER BALANCED INPUTS £899.00
The MS424 is a 4 channel 1 into 4 Unity Gain Active Microphone Splitter in a compact 1U self powered case. The MS424 is designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with most passive splitting solutions. The Unity Gain design philosophy allows simple integration into existing systems without the need for lengthy recalibration.

Each of the MS424 channels has an electronically balanced input, which may be transformer balanced as an option, and four independently transformer buffered floating outputs on XLR connectors. Output one of each channel may be linked directly to the input via a rear panel switch. The unit may also be configured, by way of internal links, to feed 8, 12 or 16 outputs from any one input, allowing the MS424 to be used for press box applications.

The front panel of the MS424 gives access to outputs 3 and 4 as well as phantom power switching with phantom presence LED, and Pad switching for line level signals. The inputs and outputs 1&2 are grouped on the rear panel together with the output 1 Link switches.

The MS424's internal power supply makes it ideally suited to smaller installations where it becomes highly cost effective when compared to externally powered alternatives.

Main Features
• 4 Channel Active Mic Splitter
• Unity Gain signal path
• Low output impedance
• Line level capability with input Pad
• Individual Phantom Power switching
• Phantom presence indicator
• Very low noise & distortion
• Compact integrally powered design
• 4 sets of independently buffered, balanced outputs as standard
• Input balancing transformer option
• Internal linking for multiple feeds from a single input
• Switchable Link output


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ctive Mic Splitter System
MS1224 12x4 ACTIVE MIC SPLITTER SYSTEM £1,799.00
MS1224PS POWER SUPPLY & MONITOR UNIT FOR 4 x MS1224 £499.00
MS1224PS-BU BACK-UP POWER SUPPLY UNIT FOR MS1224 £499.00
The MS1224 is a 12 channel, 1 into 4 Unity Gain Active Microphone Splitter designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with passive splitting solutions. The Unity Gain design principle combined with excellent line driving ability ensures that unity levels are delivered at the end of each feed, even over considerable distance, thereby saving time in recalibrating levels.

Each of the MS1224's channels has four independently buffered, transformer balanced outputs and a fifth dedicated parallel Link output. The Link output may be used to provide a direct, non active feed, for instance to the FOH console, or it can be used to daisy chain adjacent channels to provide more output feeds from a single microphone, for instance for Press Box applications. The inputs are electronically balanced with a Pad switch for connection of line level signals. Switchable Phantom Power is provided with a Phantom Presence LED.

The MS1224 incorporates a channel monitoring circuit, which is accessed on the PSU unit. Each channel has a Listen button that connects it momentarily both to an LED bargraph and headphone socket on the PSU front panel. The headphone monitor circuit incorporates a dynamics enhancement and protection system. This controls the dynamics of the signal in a way that amplifies very low background levels whilst limiting high signal levels. This enables monitoring of microphone function during set up without the need of a vocalist being present on the mic. It also provides user protection against sudden loud signals.

A unique design feature of the MS1224 is the option to configure the way that Input and Output connectors are presented on the front and rear of the unit. As each customer has their own views on this we have given the flexibility of presenting the Input and two Outputs on the front and three Outputs on the rear, or vice-versa. In addition the Output designated as Link can be positioned either below the Input connector, or the top connector of the group of three Outputs. Thereby giving four possible permutations. The required configuration can be specified ex-works or simply reconfigured at a later stage.

Main Features
• 12 Channel 1 into 4 (12 into 48) Active Mic Splitter
• Unique Input & Output configuration options
• Unity Gain signal path for ease of set-up
• Drives long cable runs without level loss
• Compact design, 48 channel System in 13U
• Channel Monitoring facility
• Individual input and Output group earth lift switches


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LA AUDIO DYNAMICS PROCESSORS


 

Quad Compressor
C400 QUAD COMPRESSOR £599.00
The C400 is a professional 4 channel compressor that can be operated as 4 separate processors or linked as two independant stereo pairs. In Link mode, Channel 1 and 3 provide Master control and 'rms summing' is used to ensure that signals from both the linked channels affect compression equally. Each channel has fully variable controls for Threshold, Ratio, Release and Gain. The compression slope can be switched between Hard or Soft knee, with Hard knee providing tight control of compression Ratio and Soft knee a more progressive style of compression. Two Attack/Release modes are available; Auto (program dependant) Attack/Release or Auto Attack with manuallly adjustable Release. A low frequency Program filter can be switched into the sidechain to reduce the effects of bass heavy material causing over compression. Each channel also has a sidechain insert jack. Gain Reduction is displayed on an 8 segment LED bargraph. The Bypass and Link switches also have led indicators. All Inputs and Outputs are electronically balanced and can be switched between +4dBu and -10dBV operating levels.


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LA AUDIO MIXERS/DISTRIBUTION


 

Conference Mixer
MX32B CONFERENCE MIXER £499.00
The MX32B is a stereo unit designed to mix the signals from three microphones and one of three, switch selectable, mono or stereo A/V sources. Video may be switched together with the audio programme when fitted with the video I/O option. The MX32B is designed for operation by non pro-audio users and so keeps operation as simple as possible whilst retaining full features and performance specifications.

The microphone preamplifier has a wide dynamic range with very low noise and distortion. Each of the balanced Mic/Line inputs has a pre-fade Insert point for additional signal processing such as equalisation, compression or gating. On the front panel each channel has Phantom Power switching, switch selectable Mic or Line input, a Volume control and a Pan control to position the signal. Priority switching allows one or more channels to take priority over the remaining channels and the A/V source.

A 2 band EQ, Master level control and dual 10 segment LED output metering make the MX32B quick to set up and operate. The unit is provided with an unbalanced Record output and balanced Main outputs.

The versatility of the MX32B makes it ideally suited to stereo conference PA and recording and also clubs, stadia and churches.

Main Features
• Three Mic/Line inputs with Insert point
• Three stereo input programme selector with Video switching
• Switchable Phantom Power
• Switchable Priority
• 2 band EQ and LED bargraph output monitoring
• Balanced Mic/Line inputs and main Outputs on XLR
• Separate Record Output
• Simple operation

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Distribution Amplifier
DA82 DISTRIBUTION AMPLIFIER £349.00
The DA82 is a compact Distribution Amplifier that may be configured for 1 into 8 mono or 2 into 4 stereo applications.
A useful feature is the CAL/UNCAL switch on each of the inputs and outputs. This function switches control of the input sensitivity and output level between front panel accessible trimmers (CAL position) and rotary potentiometers (UNCAL position) to cater for permanent set up or user variable applications. Both the inputs and outputs are electronically balanced on XLR's.

The DA82 is ideal for O/B vans, sound reinforcement systems, theatres and any application requiring ease of installation and operation.

Main Features
• 2 balanced inputs on XLR8 balanced outputs on XLRStereo/Mono switchingPermanent calibration of input and output via front panel screwdriver trimmers
• Instant adjustment of input and output via front panel rotary potentiometers
• CAL/UNCAL switch allows on the fly adjustment of calibrated channels
• Integral PSU with detachable mains lead


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LA AUDIO ACCESSORIES


 

Active D.I. Box
D12 ACTIVE DI BOX £69.00
The Di2 Mk3 is a single channel Active DI housed in a tough extruded aluminium case, which may be powered from Phantom Power, or by two internal PP3 batteries. Low power consumption circuitry extends battery life up to 300 hours. Unintentional battery drain is avoided through use of automatic Phantom Power detection and automatic power shut-off on disconnection of the input signal.

The Di2 Mk3 provides an input link facility, balanced and unbalanced outputs, switchable input and output levels and Ground Lift switch. An LED indicates the unit is powered.

The DI2's active circuitry gives a signal of exceptional clarity, and the balanced output is capable of driving long cable runs, found in larger venues, without level loss.

Main Features
• All active transformerless design
• Input impedance of 1Mohm n Line level output +10dBm
• Accepts 300 watt amplifier at the speaker input
• All metal durable case
• Automatic Power shut-off
• Balanced output for long runs or 1/4 phone output
• 20dB gain capability for low level pick-ups
• Auto switch from internal batteries to phantom power
 


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Active D.I. Box
DBTPLUS TRANSFORMER BALANCING INTERFACE £115.00
The DBT is a dual channel unit incorporating high quality balancing transformers in a durable extruded aluminium box.
Connections are via XLR's and a ground lift switch is provided for the elimination of ground loops.

The DBT is designed for balancing the outputs of unbalanced equipment to provide interference rejection and galvanic isolation when interfacing with balanced lines.

Main Features
• Ground Lift switch
• Input connections for XLR, Jack or RCA
• Dual 600Ω transformer balancing interface
• High quality low distortion transformer balancing
 


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Headphone Delay
CAN-D HEADPHONE DELAY £225.00
You’re mixing FOH for a gig. That means the speakers are over there, and you’re over here. Is it any wonder that your headphones sound confusing?

We all know that even short distances cause time delays. As a consequence, listening on headphones when you’re any distance from the stage will leave you with a confused mess of direct and delayed sound.

Enter Can-D. It’s simple really; Can-D delays your headphones so that they match the sound from the speakers. With delay times of up to 678ms, you can be 226m from the stage and still wallow in the sweet sound of time-coherent cans.
And if you like your cans exceptionally loud, you’ll be happy to know that with Can-D’s substantial headphone amplifier, 9 out of 10 engineers found full volume to be 'unbearably loud'. *

Of course, Can-D is rock-solid and tour-proof; its internal PSU and solid aluminium case ensure it’s ready for anything you can throw at it. Or anything you can throw it at.

Loud and clear… sweet. Can-D

*HEALTH WARNING: Your hearing can be permanently damaged when exposed to excessive sound levels, especially when combined with prolonged listening periods. Listen sensibly.

Key Features:
• Stereo delay – up to 678ms
• Powerful headphone amplifier
• Solid build quality
• Internal PSU
 


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Absolute Phase Checking System
PC90 ABSOLUTE PHASE CHECKING SYSTEM £250.00
Finding a fault in a large audio system can be a real pain, particularly if it’s to do with phase or polarity. Such problems are difficult to isolate without spending precious time re-plugging and testing.

Often imitated, but never bettered, the LA Audio Phase Checking system's wide band pulse can detect polarity inversions both acoustically and electronically irrespective of distance or time delay, making it easy to isolate cable, speaker or processor faults quickly.

The PC90 is the latest incarnation of this advanced system, capable of measuring phase accuracy in any audio system. The separate emitter and receiver can be placed anywhere throughout an audio system, using either its internal speaker and microphone, or a balanced XLR connection.

As soon as the emitter eeks out its little pulse, the receiver will indicate whether the signal is received in or out of phase. Barely seconds later, when your problem has been solved, the two units couple together, ready to be thrown into your pocket or toolbox.

So, if you need a time saving, hassle free, rock solid and cool looking little audio friend, look no further than PC90.

Key features:
• Checks polarity regardless of distance or delay
• Emitter and Receiver couple together
• Pin 2 or Pin 3 Hot
• Robust casing design
• Battery Powered
 


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LA AUDIO DSP MANAGEMENT SYSTEMS


LA Audio DLX240 DSP management System Loudspeaker Processor

LA Audio DLX260 DSP management System Loudspeaker Processor
LA Audio DLX260 DSP management System Loudspeaker Processor
 

Minimal signal path circuitry and advanced DSP sandwiched between carefully matched converters make DLX200 series processors the most transparent of their kind. Ultra low noise and frequency extension that goes all the way means that a DLX doesn’t touch your audio until you ask it to.

Simple and intuitive in use, DLX200 series processors give you optimum control over your sound. 6-bands fully parametric and 2-band shelving EQ plus high-pass filter on every output and input allows detailed control for everything from delicate adjustments to full-on sound sculpting.

400ms input and 80ms output delay allow for accurate time alignment of even the largest systems, with delays towers up to 136m from Front of House.

45 presets with full text names are stored and recalled hassle-free. And settings are easy to protect from prying hands, without the need for an easily forgotten password.

Main Features
• 96kHz sampling frequency
• 8 bands of EQ on every input and output
• 45 user and ready-made presets
• PodWare control
• Optional BVNet networking
• 2 inputs, 4 or 6 Outputs (DLX240/260)

DLX240 DSP MANAGEMENT SYSTEM LOUDSPEAKER PROCESSOR £895.00
DLX260 DSP MANAGEMENT SYSTEM LOUDSPEAKER PROCESSOR £1,095.00


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